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Weaving is a long-standing craft in Thailand, practiced since before the Sukhothai Kingdom became the capital. Historical evidence, such as descriptions of royal attire and records of tributes paid to the monarchy, mentions woven fabrics as part of royal offerings, alongside honey and fragrant woods.
Weaving is considered both an art and a form of textile architecture. Artisans skillfully blend thread colors and create intricate patterns, such as the famed mudmee (ikat) technique, which produces mesmerizing designs that captivate viewers. Inspired by nature, weavers craft motifs like flowers, stars, animals, and everyday objects into patterns named after their inspirations, such as Dok Kaew (jasmine flower), Bang (flying lizard), Krabi (butterfly), and Hongs (swan). Over time, these patterns evolved into more complex designs, such as layered hooks (Kho Son Noi, Kho Son Yai) and multi-tiered motifs (Dan Noi, Dan Klang, Dan Yai).
Cultural Transmission
In ancient times, weaving knowledge was passed down orally and through practice, particularly among women, who balanced household duties, childcare, and farming with weaving. After finishing daily chores, women would spin cotton, prepare threads, and tie-dye patterns (mudmee) late into the night. This tradition was transmitted from mothers to daughters or close relatives, akin to a “bloodline” of craftsmanship.
Materials
Traditional weaving primarily used silk and cotton threads, as synthetic fibers were unavailable and alternatives like pineapple leaves, pandanus, or hemp were less popular due to their rough texture. Silk and cotton remained unmatched in softness and comfort.
This craft reflects Thailand’s cultural heritage, blending creativity, patience, and technical skill to transform natural materials into enduring works of art.
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